The Raging Soil (2014)
Overview
A story of the sacrifice of farmers in defending their land from the mining permit given by the local government to a big company in the district of Lambu.
Production Companies
Additional Info
Budget | $0.00 |
---|---|
Revenue | $0.00 |
Original Language | id |
Popularity | 0.008 |
Directed By
Hafiz Rancajale
Crew
Hafiz Rancajale
H. Sutan Pamuncak
Hafiz Rancajale
Hafiz Rancajale
Syaiful Anwar
TOP CAST
Similar Movies
The Overnighters
Desperate, broken men chase their dreams and run from their demons in the North Dakota oil fields. A local Pastor's decision to help them has extraordinary and unexpected consequences.
Inclusive Nature
Inclusive Nature is a short film that addresses the theme of social inclusion through the beauty and simplicity of nature.
Mina – Der Preis der Freiheit
Mina Ahadi is an Iranian human rights activist living in Cologne. She talks about the fate of other freedom fighters in Iraq and what life is like under the Iranian regime.
China: The Uighur Tragedy
A relentless chronicle of the tragedy of the Uighurs, an ethnic minority of some eleven million people who live in the Xinjiang region of northwest China, speak a Turkic language and practice the Muslim religion. The Uighurs suffer brutal cultural and political oppression by Xin Jinping's tyrannical government: torture, disappearances, forced labor, re-education of children and adults, mass sterilizations, extensive surveillance and destruction of historical heritage.
Wars Don't End
During World War II, 12 000 children were born to Norwegian mothers and German soldiers. In WARS DON’T END five of these children tell their stories about lives of discrimination and abuse stemming from the choices of their mothers and the actions of their fathers.
Bananaland: Blood, Bullets & Poison
For consumers, bananas are a delicious and nutritious start to the day, a healthy snack and a fixture in our fruit bowls. For millions of residents in the banana lands, the production of bananas means social upheaval, violence and pesticide poisoning. Banana Land explores the origins of these disparate realities, and opens the conversation on how workers, producers and consumers can address this disconnect.
In the Rumbling Belly of Motherland
As the U.S. planned to withdraw troops from Afghanistan in September 2021, Canadian-Afghan filmmaker and journalist Brishkay Ahmed was filming IN THE RUMBLING BELLY OF MOTHERLAND. Revealing the ongoing dangers for women reporters, and the extraordinary risks they take, this brave film provides an in-depth look into Zan TV, Kabul’s female-led news agency. A professional journalist herself, Ahmed documents both the harrowing and inspiring work of young, female journalists over the course of the two-year lead up to the Taliban takeover of Afghanistan. Following parallel news stories as they unfold – two sets of national elections as well as ongoing U.S.-Taliban peace talks – the film reveals the daily hurdles Afghan female reporters and media staff face, underscoring the existential current events that threaten both Zan TV as a media outlet and the livelihoods of the women at its heart.
The Void Inside
After getting caught in a fight, Vahid needs to sell one of his kidneys to avoid a prison sentence of many years. While waiting for the liberating call from a buyer, a wish for a better life starts to grow within him.
It Started with Trees – Revolt in the Gezi Park
Protesters diary from Gezi Park - Taksim Square, Istanbul. Occupy Gezi movement started when the government decided to build shopping mall in place of the last green area that remained in the middle of Taksim Square.
Alone
Alone explores the existential pain of Ukraine through the eyes of an unlikely protagonist, one of the country’s most commercially successful pop stars. Andriy Khluvniuk, lead singer of hip-hop rock band Boombox, has millions of devoted young fans who adore him as a singer songwriter and sex symbol but know nothing of his personal turmoil caused by the political instability and military aggression in his homeland. Andriy is on a mission to raise awareness and motivate his fans to join him in taking a stand against the war in the east of Ukraine, and call for the release of Oleg Sentsov, a Ukrainian filmmaker and political prisoner in Russia. As tensions between Ukraine and Russia become a footnote on the world’s media agenda, Andriy use his fame to refocus the global spotlight on the fragile independence Ukraine is fighting for. The film culminates in an incredible sequence of events that result in Oleg Sentsov's release in a prisoner swap. Andriy and Oleg can meet each other at last.
We Are Not Princesses
We Are Not Princesses is a documentary film about the incredible strength and spirit of four Syrian women living as refugees in Beirut as they come together to tell their stories of love, loss, pain and hope through the ancient Greek play, Antigone.
No Traces of Life
Building on Forensic Architecture’s previous investigation into herbicidal warfare and its effects on Palestinian farmers along the eastern perimeter of the occupied Gaza Strip, this investigation marks Land Day in Palestine by examining the systematic targeting of orchards and greenhouses by Israeli forces since October 2023. Our analysis reveals that this destruction is a widespread and deliberate act of ecocide that has exacerbated the ongoing catastrophic famine in Gaza and is part of a wider pattern of deliberately depriving Palestinians of critical resources for survival.
The New World of Xi Jinping
Behind his polite exterior lies a formidable leader with a ruthless character, ready to do anything to make China the world's leading power by the People’s Republic’s centenary in 2049. This well-documented portrait of the Chinese president gives an unprecedented insight into his politics and shows how Xi Jinping's personal journey has shaped his choices as he steers China towards world domination.
Black Box Syria: The Dirty War
A look back over nine years of the Syrian Civil War, an inextricable conflict, like a black box, due to the competing interests of the many factions in presence and those of the foreign powers.
Black Power Salute
A film about one of the most iconic images of the 20th century, the moment when the radical spirit of the 1960s upstaged the greatest sporting event in the world. Two men made a courageous gesture that reverberated around the world, and changed their lives forever. This film is about Tommie Smith and John Carlos' protest at the 1968 Olympics.
The World's Worst Place to Be Gay?
Scott Mills travels to Uganda where the death penalty could soon be introduced for being gay. The gay Radio 1 DJ finds out what it's like to live in a society which persecutes people like him and meets those who are leading the hate campaign.
Lullaby of the onion
Going to the doctor to make a diagnosis or to have a treatment is a common thing in the outside world. But for every prisoner it is a very difficult or impossible path. Lander Garro, the director, turns to those who have lived the experience of being ill in prison to better understand its consequences. It uses a language that goes beyond political discourse, exploring the helplessness of prisoners whose right to health is limited from an emotional point of view, through cinematographic tools. 'Tipularen sehaska kanta' ('Nana de la cebolla' - 'Lullaby of the onion') more than a political film is an artistic film, narrated in the first person and from the entrails. Based on the poem 'Nana de la cebolla' by the Spanish poet Miguel Hernández, who died in prison in 1942, the film makes a historical analogy: if it didn't make sense to die in prison in 1936, does it make sense today?
The Invisible Contract
A reflection on the concept of invisibility, narrated by women who clean public spaces in Mexico City. Combining documentary, fiction and still photography, the film is an intimate mosaic of testimonies and experiences that highlight the precariousness of work in the cleaning industry, in a world where subcontracting rules.
Refuge(e)
Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.
Posted by: İlhan Sami Çomak
The story puts İlhan Çomak at the center, even though he is not physically present in the film. It focuses on the 21 years that İlhan spent in prison and his family’s experience of those years without him. The narrative is constructed through the letters İlhan wrote and aims to describe his life, his emotions and longings. The film constructs İlhan’s history through a chronology in the prison but refrains from restricting it only to a “prisoner’s quest for justice”, and rather tells a story of the situations he finds himself in over the years and his emotions and their equivalents in life.